valse triste造句

• It was followed by " Valse Triste, " choreographed by Peter Martins.
• His " Valse triste " and Second Symphony were particularly well received.
• Playing " Valse Triste,"
• Immediately afterwards, he conducted the Second Symphony and " Valse triste " in Norway.
• They failed to grab the public's attention the way " Valse triste " had done.
• As a bonus, the disk also includes the revised concert version of " Valse Triste, " from 1904.
• As an encore, V鋘sk?conducted Sibelius's " Valse Triste ", which he described as a dance of death.
• These were first performed in Helsinki at the Finnish National Theatre on 8 March 1911, together with " Valse triste ".
• In 1904 he revised the piece, which was performed in Helsinki on 25 April of that year as " Valse triste ".
• In 1904, Sibelius revised the piece for a performance in Helsinki on 25 April where it was presented as " Valse triste ".
• In 1904, he revised No . 1 as " Valse triste ", and it was performed in Helsinki on 25 April 1904.
• His ballet " Valse triste " ( 1978 ) was the first composition of electronic music ever to be performed in the Staatsoper Wien.
• And on Jan . 15, after performing in Balanchine's " Bugaku " and Peter Martins'" Valse Triste,"
• The second encore, also by Sibelius, was a surprise : a sighing, bittersweet account of the seldom heard " Valse Triste ."
• However, because of the publishing contract, Sibelius saw relatively little money in terms of royalties from the performances of " Valse triste ".
• There are also brief fragments of Ludwig van Beethoven's " Valse triste " and Valentyn Sylvestrov's " Holy God ".
• After intermission, the program continues with the haunting " Valse triste " by Sibelius and concludes with Bartok's " Divertimento " for string orchestra.
• The play is notable for its incidental music : Valse triste " ( " Sad Waltz " ), which was later adapted into a separate concert piece.
• In the more humorous-political genre, " Valse Triste " marks a milestone  and is viewed as a critical collage of early 70s Norwegian cultural debate.
• The lilting, then tempestuous account of Sibelius's " Valse Triste " and a cheeky reading of Rubinstein's " Melodie " in F are special treats.